• Films and videos
    • A History Of The World According To Getty Images
    • A Machine for Viewing
    • In Praise of Blur
    • The Black Screen
    • The Definition of Film
    • Rohmer in Paris
    • Mapping Rohmer
    • Stick
    • High Tar Babies
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    • Chromatic Cinema
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Richard Misek

Filmmaker - scholar - citizen
  • Films and videos
    • A History Of The World According To Getty Images
    • A Machine for Viewing
    • In Praise of Blur
    • The Black Screen
    • The Definition of Film
    • Rohmer in Paris
    • Mapping Rohmer
    • Stick
    • High Tar Babies
  • Writing
    • Academic writing
    • Other writing
    • Chromatic Cinema
  • Projects
    • From TV to Metaverse
    • Digital Access to Arts and Culture
    • The Audiovisual Essay & Cinema Unframed
    • Rohmer Obsession Project
  • Talks
  • About
  • Contact
  • Newsletter

Click on titles to link

‘Getty Images: copyright hawk or corporate appropriator?’. CREATe (Centre for Regulation of the Creative Economy) working paper, February 2024.

‘Field Notes: Learning hybridity at CPH:DOX’. Immerse, 05.05.2022

‘Field Notes: Objects of Reverence. How UK arts institutions struggle to address exclusion in on-site VR exhibition’. Immerse, 03.12.2021

‘Is the future of digital theatre in the balance?’. Arts Professional, 01.12.2021

‘Why We Need Hybrid Film Festivals'. Hyperallergic, 09.09.2021